![](https://lh5.googleusercontent.com/-J0WLF8V3-wg/UJ1errA91NI/AAAAAAAACkM/eFUnhmm5JOc/s640/Nov%252520rz67%252520005.jpg) |
Fall Path |
My blog on Plustek scanner mentioned my purchasing of the scanner software Vuescan to replace the software that came with the scanner. Up to now I have avoided using it for my epson v500 as I find the epson scanner software very easy to use. For a change I decided to try the Vuescan
DNG output. DNG is equivalent to a
RAW file only in a Adobe format. This turns out to have several advantages if you happen to own
Lightroom or
Photoshop.
- You don't have to fuss with scanner settings for each individual image (Just set gain and base colour on an unexposed part of the negative once per roll)
- You can extract and save all the information that the scanner can provide in a standardized archival form
- Fits into Lightroom's non destructive workflow so reprocessing does not degrade the scan.
- Merges your film and digital workflow
- You can make and apply your own colour profiles, curves, fx and other post processes as many times as you want
- You start out with a RAW file that has more information and less noise then a conventional tiff scan with some curves applied during the scanning phase
Warning the Vuescan DNG has a linear gamma of 1 the same as a scanner so opening up a file out side of a gamma aware program will result in an image seeming to have a very strange contrast curve.
New note on Vuescan/Epson V500 here.
For Pixel Peekers
Have a look at this example of 35mm Nikon FMn2 105mm hand held street portrait on HP5 film developed in
Xtol + Rodinal and scanned on my Plustek 7400
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXPKZ3QFc9UEYH7quQ_kb_LDPHiVh7NvgeJXDWp_Uo6IEKf0x7-g_rgYAXfxyloRoYQ5Soj0H-DqmqsEB-5v-EzK0bFy5QhLdxAKCmwE_PHvnSo1z03P59ipRkyhpei8wgyqrC/s640/Sept+30+Kensington+Pedestrian+Sundays++-++027.jpg) |
Original scan from the Plustek B&W scanned as a 48 bit tiff |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0vqA1qNPPHejD9ty98iiEyQzkEBFtPlNpgBaNJK8WKK5T89l6pNmzWW7v1YQF_AqjhWvfmGx2tjluRm4CaDwq2SK_w9YPI8rasmwH8kd8bCjVhSLRs2zdqgFVfkYoZBWOu1G2/s1600/Sept+30+Kensington+Pedestrian+Sundays++-++026-sharpen.jpg) |
1:1 with some slight sharpening in post |
Lomography DigitaLIZA
I have to give the
Lomography DigitaLIZA 120 Format film holder a 4 out of five rating compared to the epson holder 2.4/5 rating. It's so much better for keeping curly film flat. It's also easy to load the film.
Tips:
- For the digitiliza make up a template that you can place on your scanner bed to make it easy to align the Digitaliza with the scanner bed (I made mine out of a stiff cardboard looks like a thick L) be careful not to cover the calibration area of the scanner
- I use a rocket blower rather then canned air to blow any dust off the negative.
- A pair of silk inner liner gloves (from a sports or outdoor shop) are much better then cotton gloves for handling negatives